Check out OVERDUE, a Bel Nemeton/All the Petty Myths shared universe anthology

It is with great pleasure that I announce Overdue: Mystery, Adventure & The World’s Lost Books, the new anthology from 18th Wall Productions – an anthology of stories revolving around the quest for history’s lost or legendary books.

And, when I call Overdue “my latest work,” I mean that in three different ways…

…yes, it contains my near-novel-length story, “Provenance.”

…it also marks the first time I am receiving an editing credit, having co-curated the anthology with the ever-excellent M.H. Norris (and an occasional silent but steady hand lent by 18th Wall’s CEO James Bojaciuk).

…but what really makes this special for me is the concept behind Overdue: a shared-universe anthology bringing together the world of my Bel Nemeton series with the world of M.H. Norris’s All the Petty Myths. So, all the stories in Overdue have some element of my handiwork: a fragment of my world, sometimes my characters. And that was something really special for me.

I was incredibly flattered when M.H. approached me with the idea of a shared universe anthology – and very excited by how supportive 18th Wall was about the idea. But it was a bit of our journey to get from the “hey, wouldn’t it be neat if…” kernel of an idea to a finished anthology. While Bel Nemeton and All the Petty Myths have many similarities, they also have differences. M.H. and I put our heads together to see what we could make out of the similarities: quirky, cerebral protagonists and an obsession with history – whether that “history” is the relatively recent urban folklore of All the Petty Myths or the dusty old manuscripts from Bel Nemeton’s 6th century historical-fantasy Arthurian Britain.

We imagined the three principal modern-day protagonists of the shared universe teaming up to launch an initiative to recover, discover, or rediscover the world’s lost, forgotten, or rumored books. That framework would give authors the opportunity to use their imaginations to create such books or to weave actual works of history or legend into their tales. It also created opportunities for a wide range of protagonists: archaeologists, historians, linguists, anthropologists, antiquarians, and book scouts – all, more or less, on the up and up. But it also left space for mercenaries, morally ambiguous archaeologists, treasure hunters, gentleman and gentlewoman rogues, warlords, and even the street kid who got lucky (or unlucky) and snatched the right backpack. If anyone really wants to nerd-out, you can read the full submission call here.

Page from a surviving volume of the Yongle Encyclopedia (in Overdue‘s “Perpetual Happiness” by Heidi Hewett, readers may encounter a previously lost volume)

The Overdue curation team was floored by the response – not just the quality of the submissions we accepted, but the sheer diversity of the nine stories we accepted: “Wicker Man” by M.H. Norris, “Wholly Holy” by Kara Dennison, “Perpetual Happiness” by Heidi J. Hewett, “Loredana’s Challenge” by Liam Hogan, “The Book of the Ways” by R.C. Mulhare, “Bring the Fire” by Michael O’Brien, “Under Cover” by Sean Michael O’dea, “Clue to the Past” by Karen Thrower, “Provenance” by Jon Black, “In the Hearts of Lads” by Fio Trethewey

Within the parameters of the shared universe, our authors wove tales that count as Mythos horror, neo-Gothic, supernatural techno-thriller, Arthurian magical realism (no, not mine, surprisingly), fine-dining intriguing, clock-punk-adjacent YA slipsteam, YA coming of age, and even romance-adventure.

Ubar, in present day Oman, may have been the real-world inspiration for the fabled Iram of the Pillars. Visit Iram’s ruins in Overdue’s “Under Cover” by Sean M. O’dea.

That being said, I’m also very pleased with my own contribution, “Provenance.” In one important way, it is unique from the other stories in the anthology. While spelling out that difference would probably be an unwelcome spoiler, the story’s title gives at least a bit of hint. Fans of the Bel Nemeton series, and my work in general, will likely appreciate the story for several reasons. It sheds some light on Jake Booker’s shady pre-Bel Nemeton past. It gives me a chance to write “linguistics-porn” about a language family other than Celtic, and it includes some Easter eggs establishing that the Bel Nemeton series, Gabriel’s Trumpet, and my Junzt County stories all take place in the same world. (I also need to give a very grateful shout-out to Jeremy Brett and Alexandra Hubbard for serving as authenticity readers on “Provenance.”)

That was one of the greatest joys of Overdue for me: seeing what other authors -including some who are better-known, or just plain better- did with worlds and characters I had created. (Interesting observation: our authors have many different interpretations of Myths’ Dr. Rosella Tassoni and Nemeton’s Dr. Vivian Cuinnsey. But everyone sees Nemeton’s Jake Booker the same way!)

Overdue: Mystery, Adventure & The World’s Lost Books is available in Kindle and paperback on Amazon and multiple eBook formats through 18th Wall.

Hebrew text printed in 16th century Prague, evocative of the fictional Sefer Bohem in Overdue’s “Provenance” by Jon Black.

Eggs of Horror

on the second book (still tentatively titled Caledfwlch) in my historical fiction/progressive pulp series is significantly ahead of schedule. So, with the intent of not putting all my writing eggs in a single genre basket, I am dusting off four stories I wrote earlier in the year. While none of them are quite horror, they all nibble at its edges.

In the tradition of Lovecraft’s Arkham and its environs, three of the stories are set in Junzt County, a fictional county within the Texas Hill Country. One of the most historically rich regions of the state, the Hill Country also has the advantage of being an area I’m highly familiar with and offering the right cocktail of isolation and mystery.

The Eye Teeth: Set in the 1940s, is classic weird fiction with strong Cthulhu Mythos overtones. As with my series, historical sources and research play a prominent role. A well-known politician from Texas also puts in a guest appearance in the role of quest-giver.

Pioneer House: This flashback to the 1980 blends weird fiction with an “outsider” archetype protagonist, portrayal of small town ennui, and the question of free will.

So Lonesome I Could Die: Is a 1920s Western Gothic ghost story with nods to “The Legend of Sleepy Hollow.” The story draws heavily upon my background in music journalism for mood and atmosphere.

The fourth story, and the only contemporary tale, is The Renewal Room, the tale of a music journalist (write what you know, right?) whose quest for a forgotten bit of music history leads him to a town on California’s Salton Sea which is equal parts Arkham and Twin Peaks.

With the exception of So Lonesome I Could Die, these stories were submitted elsewhere and rejected. I will spend the next few weeks retooling and strengthening them prior to submission for other upcoming anthologies or magazines.

So, wish me luck … oh, and Ia, Ia, Cthulhu fhtagn!

Follow Jon at @BlackOnBlues on Twitter.