Lovecraft has Arkham…
King has Castle Rock…
Campbell has his unique take on the Severn Valley…
Invariably, those who write horror seem to want their own creation they can revisit time and time again. I am no different. This August, my creation, Junzt County, comes out and takes a walk in “Totmann’s Curve,” a 35,000 word novella included as part of Sockhops & Séances, an anthology of horror set in the 1950s, from 18th Wall.
If you ask me, the part of Texas best suited for rich, atmospheric horror is neither the broken deserts and vast plains of the lonely west nor the impenetrable pine forests and swamps of the “boy, you got a pretty mouth” east. Rather, it is the rolling hills, shadowy valleys, and dark-fairytale woodlands of the Hill Country. Stretching about 100 miles west from Austin and San Antonio, many groups, most notably Germans and Eastern Europeans, settled there … each bring their own traditions, folklore, and whispered fears about what haunts the dark. The place feels old, older than anywhere in Texas has any business feeling.
So, that’s where I brought Juntz County to life, lovingly populating it with it everything needed for my macabre purposes. Brockenberg, the legend-shrouded vast granite dome rising over county’s center. Goethe College, an ivy-covered institution established by scholars fleeing an academic schism at the University of Gottingen (and bringing the more, um, unusual parts of its library with them). Koenigsburg State Hospital, mysteriously burned in the 1980s and many of its patients never accounted for. Thale, a tiny village deep in the hills, perpetually surrounded by ill-rumor and tragedy. And, of course, burger joints, honky-tonks, auto shops, local radio station KJZT, and all the other infrastructure of “normal” everyday life.
Here’s the kicker, originally I created Junzt County not for narrative fiction but table-top roleplaying. It came to life for a Call of Cthulhu campaign I ran the better part of a decade ago, pitting a party of college students all enrolled in the same local folklore class against a mysterious amulet, the supernal forces tied to it, and the (obligatory) cultists trying to recover it. It was a great campaign (thanks, especially, to some great players) and, even at the time, I grasped the location’s potential as a setting for fiction.
Before there was “Totmann’s Curve,” there was “So Lonesome I Could Die.” My first published Junzt Country story, in the anthology Descansos, was a musically-themed Texas Gothic ghost story set during the Great Depression. While “Totmann’s Curve” is an entirely self-contained, stand-alone narrative, anyone who has read “So Lonesome I Could Die” will discover several Easter Eggs revealing what has become of some of the earlier story’s characters … and hinting at the resolution to one of its biggest mysteries.
What of “Totmann’s Curve,” then? It’s a faced-paced 1950s tale of ghosts, teenage hot-rodding, and evil sorcerers serving dark entities. After the tragic deaths of two teens during an illegal road race, increased police attention forces the local hot-rodders to move their activities farther into rural parts of the county. At first, the new race route seems perfect. But the roads have a history of their own … and fender-benders caused by a pretty blonde ghost wearing a white wedding dress are only the beginning of the racers’ troubles. Something in the deep hills is very unhappy about the kids being there.
Can good-natured all-American hot-rodder Sam Granger, his gearhead friend Joe Tegeler, egg-headed cousin Eleanor, the ghostly dreamboat Helene, and the rest of their gang figure out what’s going on in time to save the Saturday races … and their own skins? That is the question.
Are there other Junzt County tales? Yes. A half-dozen, scattered across a variety of time periods, are in various stages on completion. But three others, one set in the ‘40s, another in the ‘80s, and a third in the present are already finalized and resting in my computer, awaiting only a sympathetic publisher.
Sockhops and Seances, from 18th Wall, is available here.
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